Mostly True

Holiday Print Sale

"Jazz Santa" Kenneth Jarecke/Contact Press Images ©2012

 

Well, it's that time of year again.

I've got a ton of printing to do this week. Since I'll be strappped to my computer anyway, I thought I'd offer a special holiday deal.

 

"Climbing the Ladder" Kenneth Jarecke/Contact Press Images ©2012

 

This week, I'm pricing my medium sized collector's prints, that's an 18 x 12 image printed on 17 x 22 paper, for $395 (plus $25 shipping in the USA).

 

"Ascot Motel" Kenneth Jarecke/Contact Press Images ©2012

 

My archival (pigment inks, acid-free paper) in this size, normally run $600, plus shipping.

The images shown here are newly drum scanned and haven't been seen for quite some time. I'm excited to have them back in circulation, but there are plenty more of my (classic? well known?) images to choose from here.

 

"By Air" Kenneth Jarecke/Contact Press Images ©2012

 

My Collector's Prints are signed on the front, titled, signed and dated on the reverse and come with a certificate of authenticity.

 

"Wall Street Bull" Kenneth Jarecke/Contact Press Images ©2012

 

To insure that your print(s) arrive before Christmas, this offer ends Monday, December 17, 2012.

Email your order at: ken(at)kennethjarecke(dot)com

I wish all of you a blessed and joyous holiday season.

Many thanks,

Ken

(Please share this with your friends.)

79 Collectable Prints on the Wall

Copyright 2012 Kenneth Jarecke/Contact

79 collectable prints. If one of those prints should happen to fall...

Yeah, I have no idea where I'm going with this either.

A concensus (of sorts) coming out of the discussion following my last post, was that the best way to judge an image is if people are willing to pay for it.

I think the idea has some flaws. Still, in a non-scientific effort to further the conversation along, I grabbed every image I could readily find and created a gallery of photographs that were sold to real people for real money (or sometimes swapped for a side of beef) for use in their home, most likely hanging on a wall.

Like I said, non-scientific. I excluded prints of people's own children. We already know people like pictures of their own kids. I didn't include celebrities. We know people like them too. For the most part these are non-invent pictures. Found images on the street or whatnot. Kind of what I refer to as the "Magnum Tradition".

Forty-nine of the images are in color, the rest B&W. Not sure what that tells us. Probably half were shot on film the rest digital, also not overly revealing. Two observations I can make are, people like pictures of other people's kids too, and they like the pyramids.

Here's the link. I bet you don't look at all 79.

To insure that you don't completely hate me, I've included a picture of a cat.

 

Thank you.

 

 

 

Getting It on Paper

 

Here's a quick trailer for my new book.

Technically, it's a sports book. I photographed the last ten games of this football team's final season in a conference they'd been in for over 100 years. Lot's of history there, which is now gone forever.

Realistically, it's more of a documentary book.

When it was annouced that Nebraska would leave the Big 12, I went looking for historical images. Photographs that would show me what the stadium looked like, how the people dressed, something which would give me an idea of what it was like to witness or play the game back then.

Sadly, there wasn't much out there to find. Virtually nothing from before the 1960's, and not much from even twenty years ago.

So you could classify the book as a timecapsule too. That was my goal anyway. To capture this unique point in history that would become priceless to viewers in the future.

As a photographer, it wasn't an easy task. Still, I know how to make pictures (more or less), and I enjoyed every moment on the sidelines. That was the easy part.

Logistically, driving about 20,000 miles, flying, lodging, credentials, also plenty doable. As an agency photographer I learned early how to do this kind of stuff on my own, but more importantly do it cheaply.

Editing the 20,000 or so images (hmm... a picture for every mile), I enjoyed too. I think I did an OK job. I could have, and probably should have dropped this task on one of the great photoeditors I've worked with over the years, but that would have been a little much to ask.

The other seven or eight jobs, normally stuff a publisher would handle, were a tad tougher. I learned a lot, and got through it, though I'm nowhere near having mastered any of them.

Overall it's been a great learning experience and I think publishing the follow-up book on the Husker's first season in the Big Ten will teach me even more. Yeah, I shot the second book at the same time I was publishing the first one. Something I don't recommend to anyone!

It had to be a book, this body of work. The digital age hadn't helped my in my quest to find the images from twenty, fifty or a hundred years ago. I suppose the newspapers in Nebraska might get around to archiving their historical images on film, but that's a big and unlikely "might". So 5000 copies, printed on paper, in the hands of that many people, still seems like the best solution when it comes to documentary photography.

The book is available on Amazon here.

You can also get a copy directly from me.

Enjoy!